Hyperbase Splendidness & Experimental Poetry -- All Writings are © Derrick Tyson
26
5_Trope
A M B U L A N T
Alison Croggon
Alterran Poetry Assemblage
Arc
As-is/2
Asheville Review
Atlanta Poets Group
atomicPetals
Aught
Big Bridge
Big Window
Black Dress
Blackboard Project
BlazeVox
canwehaveourballback?
Cassie Lewis
Cento
Chris Murray's Tex Files
Coconut
combo
D E A D AIR S P A C E
Dave Smith
dbqp visualizing poetics
DC Poetry
Dead Mule
DIAGRAM
Drunken Boat
eat your art out
Eleven Bulls
eratio
Experimental Art Foundation
Exquisite Corpse
eyeshot
Fascicle
faux press
Flickr - My Photo/Art Site
Fugue
Gary Sullivan
Georgia Review
gestalten
Good Foot
Gumball
GutCult
Jacket
Joe London
Jordan Davis - Million Poems Blog
Jubilat
Kerouac, Spontaneous Prose
Kirsten Kaschock
La Petite
Leah's Poetry
Light & Dust Anthology
Magazines & E-zines
Milk
Nada Gordon
Noah Eli Gordon
nonlinear poetry
Octopus
Poetic Inhalation
puppy flowers
Rattapallax
Readme
RIF-T Index
Ron Silliman
Samsara
Selby's List
shadowed canvas
Shampoo
side reality
Small Press Traffic
Softblow
Southeast Review
Southern Poetry Review
Stephanie Young
Story South
Tate
Textbase
the ampersand
the enk
the Ingredient
The Ingredient
The Millennium Project
the wonderful world of LARRY CARLSON
Tin Lustre Mobile
Tony Tost
Totally Obvious
Tougher Disguises
Tramspark
Tryst
typo mag
Van Gogh's Ear
Verbophobia
Verse
Wherever We Put Our Hats
William James Austin
Word for Word
Word Riot
xStream
today
November 2008
October 2008
September 2008
August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
December 2007
October 2007
September 2007
June 2007
May 2007
April 2007
March 2007
February 2007
January 2007
December 2006
October 2006
July 2006
June 2006
May 2006
March 2006
February 2006
January 2006
December 2005
November 2005
October 2005
September 2005
comical laffy-taffy
experimental
mental note
metadrama
no
not anymore
poem
poetry
prose poetry
random
rapping
rita
thoughts
visual poetry
visited *loading* times
your mother was born without a navel
or it was covered days after her birth
like a life mask on the belly, greeting
the idea of spending time with your
mother made you angry. what lasts
other than leather & diamonds?
pouring vinegar over a rose, I inhaled
deeply & stopped to nourish what
was sacred.
your father loved the fountains of Venice.
you said he would get blow-jobs there
from other men. he called your mother a
witch; still has locks of her hair in ziplocs,
small pieces in a large bag. I spoke with
him about Africa, which is when I heard
him say “sucked” for the first time.
The examined bedroom-shadow becomes crystal subtleties
and the means of parallel existences are applied without requiring simple
zone-pairings. Winter is hiding herself in the crevices of warm boats
where we are brushing against the sides of her stocking-static legs.
There’s mist on my stereo
and I’ve just let the cat
out after she scratched her claws,
like cartilage-scissors,
onto the glass door—
Important. Not important to say that
tonight is melanoid, army-vessel’d
observed—
I pictured my cat, furless,
walking across the yard
and it makes me appreciate
things that are not in one piece—
Dead-battery Remote-eyes glow back
at the angry visitor who attempts
to be a forcep-contributor—veins
arching out with ease—spideval
openings. Fibers in a pit with no
body-sweat—Do you want me
gentle or opaque like blown glass?
Necessary-netting—A scrotum
dangling from the A-shaped
“V”—turn it over and ask
the duo-organ to better the
Nation. Where did John Goodman
go? He grew horns—
Flexible mischief, the blinded
sunray like a sackful of detail
undescribed in lobes of
loathed jaws.
All women are pregnant. The illusion persists.
Mary Magdalene’s crystal-clear belly,
swollen & truckled under,
sifts out swans that sing before dying insists.
rediculous chants
like teething on salt
for the vocab or vacate
collections or vinyl streets
popcorn tins filled with ideas
but here lies the softest
career-killer
smoking prayers / idealogical
frat but no tats
ink-blue for blue splotch old men
in unbathed sun-dried bodies
wearing blues on their forearms
from navy-navy most of them
‘40’s pinup models
arc the spark
in the juice of things
sprained mirror
where my distortion
becomes my contortion
never important
sanctuaries
cities all grown up in a swell
dwelling a cellar made of steel
where i rip my shirt off and pretend
i am george reeves in color
he blows his sax
it ’s saxy
saucy in the wound when i come out of my skin like when
it dirties i shoot better when it ’s wet outside
everything sticks to
my hands are soft afterwards when
i don ’t wash them off after even after
using the washroom bathroom what ’s
a slang for every word southern northern
coke
or coa - cuh - coala
or coacola rat
-her
or of soda i am bubbling horning in to the
jazz spirit
this is a jazz poem and
just because i say it ’s so does it mean
that it ’s so? so? iso glump-cheeked
today no humidity
petting my cat my hands
erupting with static
like coltrane’s altered expectations in “giant steps”
“Wanted: a needle swift enough to sew this poem into a blanket.”
—Charles Simic
Who’s full of confidence to wear their plans?
At 19 o’clock my denim was restless, zipper
stuck like traffic. After the storm had passed,
I crossed the street and saw a beautiful
Asian woman the vibrant color of Big Bird.
A man with a chain-wallet clung to it with
his pinky. I wanted cherry mousse cake, but
this day I had climbed hills like snails and
needed to be self-started; my mental-estuary
was like light, constantly changing patterns;
a light so heartbreaking that I wished to be
alone. And so I was. I solved a nightmare on
my own lips, cup in palm, a mysterious hint
of abandonment, writing notes about moods.
I wished to evaporate, and re-appear like
spring-tipped stamens, a seagull lost in an
ominous sky, when one’s hugs are like asphalt;
a life in the pulp. I stood on a street corner
with the entire world in my mind, clung, caving,
wind tugging at my body with a force that
must have changed my entire blood flow.
Let me expose to you the regiment, that which covers our unslain sheep,
Our mortal existence, the heavenly-corporals we soon shall speak!
Of every inch of you, misery ‘neath your feet, let your heart proceed
To recruit good-nature, honoring fresh plums upon which we feast.
Youth will buckle underneath the cordial curtains; Honest nature
Breaking the thread of one’s discourse, excites desires of
Wrong-doing, as the golden chain is let down from heaven,
Spoken tunes of razor-sharp tongue of one’s own known-brewing.
But Alas! Life’s chapters reside in that which inflames our fate,
Truth’s blossoming satin, soft to cuddle, proceeds to reign unfeigned!
Let not the scattering of spoiled countenance rule kindled in your veins;
Or else you will rub your eyes blind, unknown of your fingers’ spades!
Thanksgiving, Christmas:
an anxious crowd gathers for
these two Supperbowls.
When I look at
a photographic portrait
I think of the
captured one’s eyes
and then the eyes
of the viewer
and what is in
the middle of
that invisible wall
between history
and the
collaboration of
time and memory.
The viewer
thinks back
while the person
stares back –
the way dust appears
on objects,
unseen 'til then.
Each second
passes, becoming
history, clutching onto
the photograph;
an invisible moss,
an unseeable gloss,
the way rust assembles.
them, cave bears mauled the instigator, the fish
in the river glistened silver when the flesh tore
from the bones of ancient night terrors, nasa’s
rovers may be finding evidence. i’m not prehistoric
but i could’ve been a helicoprion, or a soothsayerly
saber tooth tiger. don’t confess what you don’t know.
if you have no other choice but to confess, do it
anonymously. bullet-ins, or enters, the animal, where
did that shot come from, where did the bullet go,
i don’t see a hole. i once stepped on a shark’s tooth
on the beach, and i once stepped on an arrowhead,
both cracked. this pales in comparison to the time
i stepped on the fingernail polish bottle in my friend’s car.
she thought i had blood on my shoes, dried when she
returned. but it isn’t brown, so how-so, i asked.
repentance doesn’t require change, but those that
think of it usually accept it, and those that think of it
will always have that we-watch-court-tv-so-you-can’t
-tell-me-nothing kind of attitude. no way to be construed.
be a poor witness. be what you want to witness.
the holy grail is never lost, so the court typically
becomes a blame-game. i brown like ancestry in yr view.
Being demanded to “watch God”;
how close do we come
to seeing
the tops of our heads
without mirrors,
our reflections in the overhead foil
or chrome ceilings in buildings?
I have a better chance
at watching a Dog;
what does this word
have in common with the last two words
in the first line, other than God
spelled backwards? Some things
really need to be italicized. It is often fright
-eningly quiet in this room
where I see myself (selves)
waiting
for a phone call. Expectations create
opposites, and opposites
attract,
like attraction and
the best way to accomodate anything
is to puke out therapists in theatrical
volumes and hold your head of antlers
to the ground as if to give back
what the panda-soft soil’d Earth
could never provide.
Skeletal fingers
of wintery trees
scratches the sky
in longhand.
I feel more honest. I feel more honest
than nightmares.
More honest than night
suffocating bright things. Magnificent daisies.
Beware of bearded men.
Crushed larynx,
vocal-pattern
adjusts
like sudden cloudcover
during first morning, sun eroding
darkness
like that of Elvis’s once crushing isolation.
Did he meet a Messiah? Gospel tunes played
on southern radios in small towns in the ‘70’s;
Questions asked
about the past
makes some people reluctant.
My Mother believes
that my Father
would often cheat on her,
especially after he became
the “sound man”
for a band. Relation to sex, drugs and rock ‘n’ roll,
womanizers are flinchy!
and spooky. They all
should be executed without questions asked.
But, mistakes happen, right? Light
reflects
into
the eyes of a bracken phase,
and like this — good things, bad things — all make enormous impressions on me.
Voluptuous hopelessness.
Tonight, I am a loose definition. My bones
explode within me, under peach flesh, like
a piñata, but a sense of emptiness does not exist,
will never exist, but there will always be
an aftertaste, yes, an aftertaste,
like love being the “honest state before the apple,”
eyes to beautifully-gag upon. I could have
outplayed Chopin’s fingers,
like out-running an armadillo.
I am twenty-six and still adolescently giggling.
Kneel’d before available forbiddance,
like living in a Ballroom
or spacial royalty for a King
wiping off food morcels from his thick
beard, dog ear’d
to be what I could’ve been, what
tomorrow would’ve seen.
Youth reabbreviates
thanklessness, percentiles into files,
the floor tiles of life can be cold,
and when I become an old man,
my old temple will still thirst to
foresee phenomenal washing askew
and I won’t have a publicized lifestyle;
there will be no “roots to clutch,”
nor will there be appointments to inspect,
nor an aromatic stutter in a lover’s eye,
nor a blood-stain’d theater to see an actor bloat,
nor will I paralyze practicle particles of Life past
that found the oddest thawing of ice on grey brow,
to witness a fulfillment no more, knotting
axioms out from my soul’s vines.
We’re outnumbered by drifters and thieves
that are wordily foreseen, like wintery-cold mucilage,
aching like a Tchaikovsky melody,
youth’s button rattling to a higher howl! Wait
and listen.
Agruen on the soft, wet brown ground,
crawling around as we do, we pitiful humans,
speaking fume, digging deeper towards
something on this planet, the size
of a musket-ball. There’s no match for
spell-binding pain. Our communication
is like Britain’s nearest neighbor.
I want to speak the walloon language.
I want to speak the balloon language.
I flipped through magazines; a young
couple walked by asking about
tattoo magazines and complaining
about inexplicit compact discs.
Language can be, like, so mannet, like
an unwashed shirt that you have
been waiting to wear again but
still sits in the hamper, unbathed.
Light, electricity, sparkle, flame, air:
no wisecracks please. Hold your breath,
not your horses. After birth, we’re potty-
trained and most newborn humans shed
the flame, end up with potty-mouths.
Bite into the saltine slowly. Tie the silk
ribbon around the gift, epically.
Algae in a wave makes it more beautiful.
Green seas, like being green in the face –
I hate collards, but I am prompted by
social instinct to speak about it. This great
force shakes me like an operator that
has just received a prank call; the settling of
packing material in a packedbed scrubber.
Tungsten bulb aches to be touched. I detect
things in people like a physician in a
clinical interview. Can’t get much by me.
Hot air rises to the top of the observer’s mind.
I sip away the galamelle. The sore in my nose
bleeds away time. My Paradise is stalked
by those try to weaken my margins, but like
the MGM lion, my roar is eternal.
autumn leaves
you
in
leaves.
each has a face
surely,
each has a face.
To stop being yourself, green eye’d coffee
drinkers are the most reliable, which ex
-cludes myself because my eyes have been
label’d “emerald,” but where are my ex
-piration dates? I used to have a crush on
Jennifer Moxley and would dream of her
often. In one dream, went on a date to an
uppity-restaurant somewhere in a
ginormous city where even lights were a
form of entertainment. But, anyhow,
we sat in our chairs watching “Moxley Crüe”
perform their jazz-ritual. I woke, dis
-appointed, considered myself to be
100% unsimilar. GE Money keeps calling
and I never answer. Another organization
attempting to feed me their garbage, like
eating spoil’d, expired food. What is more
“well-known” other than ‘special people’?
Hope is a flexible joint. Plaster cast mold
of my head on the table. I stared for
a long, long time. This proves that I will
never recognize myself; the fall of a face
where a “line” can be difficult to handle.
Uric acid eats away at certain people
as if perhaps to shorten an interval to enter
into the Kingdom of Heaven. Imagine being
on the cover of a gossip magazine and having
your hair compared to someone else’s.
I feel poker-faced. I could chew on bamboo
with brittle eyes; would you know the
difference in my face? Look closely and
see the lines. I don’t have a money-power’d
upper-body, but I sit as if I do. Don’t be
fool’d; my burning embers are kept quiet
as I sit by this window pretending that
I am who I was before, as full as a pyramid.
_________________________________
_________________________________
| | | |
| | | |
| In | | nu |
| | | |
|==============| |==============|
| | | |
| en | | do |
| | | |
\_______________| |________________/
|| ||
/________________________________\
i.
I find ways
to invent a speech
without failure
until,
eventually,
my tongue
becomes assassinated
to establish
excess meaning
as if all I’ve said
had exploded
like a star
halfway
across the universe.
ii.
To privilege a center,
like a gradual decrease
of the outer-layer of
a blowpop,
the nucleus reveals itself
like a Muslim woman
ripping off her hijab.
Brief religion
is a vein in the neck;
head as swollen
as bell-bottoms,
like an ego,
mental-denim stretched
as if needing hemed.
Scanning over
the Kennedy Curse,
as it be,
Time crumbles
like an expired coupon.
I am standing on cardines – just call me Sciapodas.
If. If. If light were not the problem, imagine thought without shadow.
A foot here, a foot there (the way your
hand resembles the break in this sentence
feeding something else for me).
Our lips are nothing
when we wake.
There are places in India that are said
to have no shadows; where the north star
doesn’t ever appear. The “Ascis” quarters,
where there are no recognizable hours
kept there. And like this, Lights Out—
mighty pertic’ler, you make me exhausted.
I take the camera’s “side” as if it were my
whiff of identity, a souvenir, a moiety.
I recall your coping mechanism when
you had a temper tantrum at a
gas station in front of your Mother.
Your hypersensitivity was a slow axis
moving around me like yoga training exercises.
I was a giant water spot on your lens;
a pale brown finch scattering.
I called you during Christmas.
Your strange voice populated all that
I needed to know. You planned it this way
just to cut and run. You were like
television commercials: A brief interior
of dark America, saluting you.
Stessuble, hyper-observation of stubble,
Thick beard of eiderdown,
Further studies, hardly any observation around,
Eyes like the Hubble
leading me to a conclusive-itch'er that
my uncle resembles that of Eugene Pelletan;
at least in the fitness of things,
eye-brows down. Face, distinctive as a pelican.
To be sensual, to force it out wheezingly.
Emotion is statuesque, given away to Aeschylus,
butchered irrespectively to a birth of embodied
worry, but forgives us, we tempters, our temples:
embers in spite of the spitfiery poet’s meritorious
shockingly-pale etherealness, as pale as
coastal Namibia. Pickled, her tongue moved
around in her mouth, she found coupons under
the couch, one day from expiring. Pay the price.
Open the curtains wide. Light is a chatterer,
let sound be dismissed like a stigma.
A moment
trembles
out of shape,
re-arranging
an aura
like a photograph
that produces dues.
The boy
in the camouflage
aims at me
from a dark green shrub
behind an old dumpster
whereby
it appears as though
he were hunting me
like an elephant.
I know where time goes, Old time. Your face, in sepia,
darkens under the eyeliage. I am not disappointed to say
that I could reproduce your face. But time, like age,
are two silences apart that cut like hard leather;
thick summer where you perish in southernscape, your peculiar
northern-born bones resembling wash-worn acalephe.
We have to take what’s given or else find “worth” in a biddinge.
I ‘x’ the plat, burn holes where I expected you; I think of
the first word that was ever uttered in the history of mankind;
Hiss, a word of sound, the most popular melody of sin?
Flip your passport, are you really you? When we were silent
I could hear you speaking to me in your car; I heard you say:
“Take my psychological xenium with you before you leave,
and let it lead you directly into my membrane of Being,
for it shall unite you in two places at once; the first:
the Heart; the other: of the Psyche’ -- tread carefully. . .”
Intuition is the best “feeling,” or the most critical indication
rigged with electric bolts. Press that large red button, darling,
and feel the rumble underneath your ground, and watch me,
see me, preciously, ackwardly explode. Dig me out of your
foul elevation. I end somewhere, beginning everywhere.